Liminalities 10/1 is a special issue of the performance studies journal featuring outcomes of the Remote Encounters conference where make-shift was presented in April 2013. Video documentation of our presentation is accompanied by a framing statement written by Paula – view and read it all here.
make-shift is also discussed in Elena Pérez’ article Meaningful connections: exploring the uses of telematic technology in performance. She conducts a comparative analysis of make-shift and Annie Abrahams’ performance ON LOVE.
Pérez argues that these two works provide “crucial information on the state of affairs of the performance arena today”, discussing their similarities and differences, and the performance strategies and artistic purposes of each work.